![]() ![]() The main difference between landscape and portrait image orientation is that a landscape image is wider than it is taller while a portrait image is taller than it is wider. I do not want to try dealing with roll paper.Landscape and Portrait are the types of orientation of a photograph or a print. A very big plus is the availability of 17x25 sheets. I understand this is a common issue with baryta papers. I also give the sheet a blast of canned air. I also learned it is important to brush each sheet to remove any loose particles. I bought additional San Gabriel and the quality issue had been corrected. RR customer service gave me a credit with no issues and without the need to return the paper. Last year I got a credit for some paper with small black specks. In any case switching from bidirectional to unidirectional printing solved the issue by allowing some drying time. That may be due to switching from OEM inks to Cone inks. ![]() I needed to use the back feed on my 3880 and also set the paper profile to "wider." I just had a problem with "pizza" wheel scratches. I did have an issue with the heavy weight. Also it is considered to be a semi-gloss but the gloss is very low and the texture on the surface helps to stop reflections. It has good contrast, color saturation and deep blacks. Buy small amounts or sample packs and experiment. I've no experience with your printer, but RR's icc profiles for this paper for my R3000 are pretty much spot on.īut as others have stressed, paper choice is very much a matter of personal taste. For the quality, it's also relatively inexpensive. ![]() I find it works for a wide range of subjects, from Western landscapes to close-ups of flowers. The surfaces of both, though, are very delicate and subject to flaking so they must have a protective spray applied. There are many types of both watercolor paper and canvas available, but I prefer the ones with the most texture, my favorites being Canson Arches Aquarelle watercolor paper and Harman matte canvas because it has the coarsest canvas texture I've so far found. But the fun is in the experimentation as you never know exactly what you're going to get until you try. These also look good printed on canvas as well. Here are several of mine that I like printed that way: I am not sure if this is worth more experimentation.Īny image that has a painterly look will work well on watercolor paper. I vaguely remember trying a print years ago but cannot find the print or the paper that I used. Can you be more specific about the type of image and the look that you can achieve. I am glad you mentioned watercolor paper. There is no easy solution, you just have to experiment. It really just depends on the effect you want. Some of mine look best on metallic, some on watercolor and some on canvas. For another you preferred a metallic paper with lots of reflections and gloss.Įach print has its own best paper to be printed on. For one print you preferred a matte paper. Loose Canon, it is always interesting to see the diversity of tastes when it comes to papers. Pick a couple of images and print them on all of the papers for comparison. Museum glass helps somewhat but at a very high cost.įor a total beginner, it is helpful to get sample packs of papers for various manufacturers. That is especially true for standard glass or acrylic glazing. Sticking your print behind glass or acrylic pretty much kills the special characteristics of various papers. Part of the adventure and fun of printing is discovering those papers that you like. Unfortunately the specific papers that really seem special tend to be expensive. You will also find that there are large differences in papers from different manufacturers. It is a special effect that works for a very limited number of prints.Īnyway that is my quick primer on major paper types. With the correct image and appropriate lighting on the print the colors can just glow. The finish is glossy but the final results can be spectacular. The final option I have tested is metallic paper. For me the best compromise is a baryta paper with some texture. That helps a little with cutting the glare. Another partial solution is a paper surface with some texture. Some people can overlook that characteristic and even consider the glare to be consistent with photographic prints from years ago. The gloss, semi-gloss and luster papers clearly have the highest details, contrast and saturation. The prints on matte rag just do not have the contrast, details, color saturation, or crispness. I love the feel of heavy cotton rag papers and for some prints they work great. I reviewed my prints on various papers and came to the same conclusions as before. This prompted me to consider alternative papers. I got the infamous "pizza" wheel scratches. I recently had a problem printing on my favorite paper. ![]()
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